uz chapem preco Gary Winogrand vyvolaval filmy niekolko
mesiacov po tom ako ich nafotil. da to cloveku odstup
od toho co robil a da sa potom na tie negativy pozerat
(takmer) nezaujate. pri beznom postupe (tj. vyvolam hned
po dofoteni) si priblizne pamatam co a ako som fotil a
ocakavam urcite vysledky, z coho potom je len sklamanie
a nedokazem sa tesit z tych zopar "nahodnych" vydarenych
zaberov. kazdopadne nedockavost mi neda a ten dalsi film
vyvolam este ten den ked cvaknem posledny zaber :) |
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now I know why Gary Winogrand developed his films several
months after he has exposed them. it gives one a distance
from what he had done and it's possible to look at the negatives
(almost) desinterested. in normal case (ie. when the film
is processed immediatelly after it's exposed) I remember quite
well what pictures I've been taking and expect some results,
what causes only dissapointment and I'm not able to enjoy the
few good shots taken "by chance". anyway, I'm too impatient
and surely I'll develop the next film the day I'll take the
last shot :)
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