michal brenner | photography

električky november 2001 | trams november 2001

uz chapem preco Gary Winogrand vyvolaval filmy niekolko mesiacov po tom ako ich nafotil. da to cloveku odstup od toho co robil a da sa potom na tie negativy pozerat (takmer) nezaujate. pri beznom postupe (tj. vyvolam hned po dofoteni) si priblizne pamatam co a ako som fotil a ocakavam urcite vysledky, z coho potom je len sklamanie a nedokazem sa tesit z tych zopar "nahodnych" vydarenych zaberov. kazdopadne nedockavost mi neda a ten dalsi film vyvolam este ten den ked cvaknem posledny zaber :)

 

now I know why Gary Winogrand developed his films several months after he has exposed them. it gives one a distance from what he had done and it's possible to look at the negatives (almost) desinterested. in normal case (ie. when the film is processed immediatelly after it's exposed) I remember quite well what pictures I've been taking and expect some results, what causes only dissapointment and I'm not able to enjoy the few good shots taken "by chance". anyway, I'm too impatient and surely I'll develop the next film the day I'll take the last shot :)

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copyright (c) 1998 - 2002 | michal brenner (fh@kotelna.sk)